He makes sure to “land” the cake somewhere on Sharpay’s face. Zeke lightly covered the top of the cake with whipped topping shortly before the scene. The whipped topping has minimal stickiness and was not as offensive on her face/mouth. We switched to inexpensive frozen whipped topping, and this worked fine. but the first time we tried it, not only did it get in Sharpays mouth (although when she spit it out it was quite amusing) but it burned her nose, and we were concerned about her eyes etc. I don’t know if there is a better option out there. The Director picked it up and she happened to buy really cheap menthol shaving cream. We really wanted to stay away from sticky, sugary food products to keep that mess off the stage. This would help eliminate the awkward appearance of Zeke holding the bottom and sides of the cake itself. Just make sure it is secured with enough reinforcement so that it doesn’t pull out (this will depend on what the base of your cake is made from). Make corresponding holes in the base of the cake, and secure with wires, screws, toggle bolt, etc. The inexpensive metal platters you can buy at dollar stores are very easy to drill or pound a hole in. Screws or wires holding the base of the cake to the platter would have been better. I was concerned if the cake was just glued to the plate it would come off. A cake plate would have been nice, but we should have attached that earlier in the process. I also covered the bottom with some more pink craft foam to give it a finished look. This also helped to hold the whole thing together. The quilt batting was then covered with a thick layer of clear packing tape. She duct taped the upside down lid to the box, and filled the inside with a layer of quilt batting (hot glued to the box lid). The lid was flipped over which allowed the rim to be used as a form for the cake top. She reinforced any weak spots with duct tape: My daughter filled the inside of the box with pieces of scavenged stiff styrofoam packing. We ended up starting with a hexagon shaped hat box (which I had picked up as a possible prop for “Cinderella”). We wrestled with the need to have a firm foundation for the cake while minimizing the actual risk of harm to Sharpay–a bloody nose just wouldn’t do! but, the precision degree of choreography needed to execute that seemed a barrier as well. We also focused on the “moist chunks” and tried to figure out how to have a section of the cake be filled with “stuff”. who wouldn’t like that? But, the practicality of carrying a cake that size, and figuring out how to get Sharpay’s face in it quickly convinced us that was an unrealistic vision. interpreting that as “seven-tier” because. so this seemed right up her alley and a way to make use of her cake decorating/frosting skills.Īt first we focused on the “seven-layer” aspect. making the Cinderella Giant Costume for me last year, and besides, she’s always had an interest in frosting and cake decorating, and for a time in high school had a cupcake business. I tasked one of my college age daughters to work on this prop while she was home for a bit over the semester break. Sharpay lets out an ear-piercing scream as the cake drips of her face in moist clumps.” (pg 50). But, when Troy twirls Gabriella, she bumps into Zeke, and the cake goes flying right into Sharpay’s face!. The stage directions include “Zeke tries to present his cake to Sharpay. The cake is described as “a seven-layer coconut cake” (pg 49). You could, of course, use a real cake, but that would be a lot of work, and a big mess. Many of the videos of the show use something as simple as a pie plate, and that works, but it doesn’t have quite the same visual impact. This is a do-able event as Sharpay has all of intermission, and then the first scene of Act II (a decently long song) to repair her make-up and do any other fixes needed. The audience LOVES this–the cast member playing Sharpay, not so much (note she is crossing her arms to keep from fending him off). At the end of the first act of “High School Musical” (HSM) Sharpay is supposed to take a cake to the face.
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